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In 2017, Illyaraja sent a legal notice to his long-time collaborator S P Balasubramanyam, asking him not to perform his music without his consent and licence. The court ruled in his favour, saying the agreement was indeed for five years and not 10 as AGI claimed. In 2013, Ilayaraja had filed a case against AGI Music, a music company based in Malaysia, which he said was exploiting his music beyond the five years for which it had acquired the rights. The judge ruled in favour of the company and allowed Ilayaraja control only over non-theatrical use of his music. But in 1992, Ilayaraja left Echo, and filed a suit against it in 2014, claiming he had not received any royalty through the sale of cassettes. In 1981, with his friend M R Subramanian, he started his own company, Echo, which had ownership of all his songs under a five-year deal. Yes, from a time when all music rights were owned by music labels which, he alleged, did not pay him royalties. Hasn’t Ilayaraja been involved in copyright battles earlier? Some such organisations are Indian performing Rights Society Limited and Phonographic Performance Limited among others. It’s essential for film and music production companies to sign on third parties for issuing public performance licences and the collection of the fees. The composers, lyricists and the singers will receive a percentage of the royalties because the restaurant is charging the customers who are listening to the music while Spotify is also earning through its subscribers. If a restaurant, for example, is going to play songs by A R Rahman, or if Spotify will play a Shankar Ehsaan Loy playlist, these will be outside the scope of the films in which they exist. The song as a whole (the master sound recording) will still be with the producer (music label or film producer).Īlso in Explained | The languages India speaks The rule is the same if it’s an album owned by a recording label.Īlso, because a song has three different elements, all three can be registered separately under literary work, musical work and a performer’s rights. If the song is a part of a film and is going to be played as is, then the producer will be the owner of the song. According to section 2(d)(ii),a composer of musical work is an author and lyricist is an author in relation to literary work (lyrics) under section 2(d)(i) and the producer in relation to sound recording is an author under section 2 (d)(v). The Act gives the right of royalty to lyricists and composers if the song plays outside of the cinema halls. According to the Copyright Act, 1957 (amended in 2012), there is a clear line between the owners and the authors of copyright under the Copyright Act. A song usually comprises three elements – lyrics, tune and voice.